Thursday, February 18, 2016

New Day, Same Problems

Both Custance from Chaucer’s Canterbury Tales and Constance from BBC’s Man of Law’s Tale face many of the issues common among other medieval women. They are married off to a man they don’t know, they become mothers in need of being saved, and they must deal with their evil mother-in-laws, but in the end love conquers all.


In Chaucer’s original tale, Custance is married off to a Muslim Sultan by her father, the emperor of Rome only to have her new husband killed by his own mother who is angry because her son converted to Christianity. The mother then sends Custance adrift in a boat with no rudder. Poor Custance floats around for years before she comes ashore in Northumberland. She is given shelter by a constable and his wife Hermengyld. Shortly after the knight comes to kill Hermengyld and frame Custance. When the Constable returns with Alla, the investigate the murder and accuse the knight who is struck dead. Soon after Custance and Alla marry. Custance goes through many more hard times including Alla’s mother sending a fake letter from Alla saying that Custance and their unborn son Mauricius are banished. Eventually things work out: Alla kills his mother and returns to Rome to meet Custance, they move back to England and Alla dies, and Custance returns to Rome to be with her father and her son eventually becomes the next emperor of Rome.


Though Custance and Constance have different starts, they both arrive in England scared, afraid, and without anyone to turn to. Both young women find themselves in a constant state of needing to be rescued; a perpetual damsel in distress. Each time things start to turn up, someone else comes in and wrecks their lives. When they find a nurturing mother figure (Hermengyld/Nicky) she is soon killed. In Constance’s case, Nicky is killed by Terry, an obsessed young man who is trying to rape Constance. In both cases our young protagonist is rescued by a young man who has good intentions, but their efforts are both foiled by their own mothers who are not in favor of the relationships.

The tales have two slightly different endings. Custance loses her husband, but ends back up with her father so that her son might continue in his grandfather’s footsteps as emperor of Rome while Constance’s story ends when she reunites with her husband in Africa. However, in each case we are still left with the message that love, specifically that between a man and a women, is the ultimate goal.

2 comments:

  1. One thing that I felt was not as thoroughly portrayed by the BBC's retelling was the emphasis of how God was meant to be acting through Constance to affect others around her. For example, in Chaucer's version, Constance leads everyone to God except for the evil knight; in the BBC version Adam Constable does not convert at all, going so far as to say that Constance is a fanatic, while the character representing the evil knight/potential rapist, Terry, supposedly starts out as a Christian. Where I really had issue was with Adam Constable's character, who seemed to greatly dislike/blame Constance almost exclusively because of her religion. Since the original tale seemed to be more about "God(s love) conquers all", I found the idea of "love conquers all" being the theme of both stories interesting. (Although I totally see it for BBC, that baby was adorable)

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  2. I liked your point in comparing the BBC version of Constance and Chaucer’s Custance. I think this same line of thinking could be applied to Dany’s situation in A Game of Thrones. In what we have read so far, love does conquer all in a way for Dany. Her marriage to Khal Drogo, while completely out of her hands, did end up saving her in the end, at least in the sense that it gave her some empowerment to make her own choices. Dany gains control when she gains the love of Khal Drogo, similar to Custance or Constance whose happy ending is marriage and love.

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